Having moved the Rietveld desk to the back bedroom, the first noise was from the 676 and the Doepfer Spring Reverb. I began by using the uLFO to provide CV control, but abandoned this for knob-twiddling by hand. The 676 is sensitive to variations and the strategy I have learned is to fiddle gently with the other controls, then adjust the modulator until it gets edgy again.Another first, a video on Vimeo using the Sony 190: sound from the camera as a temporary measure.
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